Love is in the Air
As it did with its historic debut last February, Indianapolis Ballet is sharing the love with ballet lovers – and lovers of romance in general – once again for Valentine’s Weekend 2019.
The red-themed production of mixed-repertoire will include a pair of classic ballets in Paquita and Carmen.
Secure the best seats across the weekend at The Toby at Newfields – the Official Performance Residency Partner of Indianapolis Ballet – while they last, and continue below for ticket details and full program notes for the February residency.
Tickets for IB’s Valentine’s 2019 residency are available via our ticketing partner, EventBrite, by clicking the buttons below, with ticket pricing as follows:
Students (K-12 & college) and Seniors (65 & over) receive a $5 discount on tickets in all seating areas.
Have questions regarding these performances, or simply prefer to order by phone? Call the Indianapolis Ballet offices at 317-955-7525.
In accordance with the American with Disabilities Act, Main Level seating is available at The Toby at Newfields for wheelchair-bound patrons and patrons with other disabilities that affect their mobility. Please call 317-955-7525 or email firstname.lastname@example.org for more information on our ADA seating options.
Paquita Grand Pas Classique
Music: Ludwig Minkus
Choreography: Maurius Petipa; staged by Victoria Lyras & Paul Vitali
Love is … soft and exhilarating
Originally choreographed as a full-length ballet in 1846 for Paris Opera Ballet, the story was set in Spain during the presence of Napoleon’s army. Paquita, a young gypsy girl, meets and falls in love with a French officer, Lucien d’Hervilly. A Spanish governor, however, wants Lucien killed and engages the gypsy king Iñigo to do the deed. Paquita saves Lucien’s life, but despite their love they cannot marry due to their stations in life – that is until it is discovered through her possession of a medallion that she is actually of noble birth. The celebration of their love culminates in Act II, and it is from this suite of dances that Grand Pas Classique was created as a separate ballet that since 1902 has been performed by ballet companies worldwide. The Indianapolis Ballet version of Act II also includes the Pas de Trois, which is traditionally presented in Act I of the full-length production.
Music: Danny Elfman
Choreographer: Scott Jovovich
Love is … worth fighting for
Featuring music from Danny Elfman’s soundtrack from the 2001 version of the film Planet of the Apes, ballet and Broadway legend Scott Jovovich’s repertoire showcases the artistry and athleticism of the IB company dancers. According to Jovovich, who staged the ballet on the company during a weeklong visit to the IB studios in January, “the piece was inspired by the challenges dancers face every day. Every day in a dancer’s life is a ritualistic battle between what one believes they are capable of and what they, passionately, would like to achieve. In a very real way we all, as dancers, have a ‘love affair’ with pushing past our limits. The Hunt describes the search for those challenges.”
Dance of the Hours
Music: Amilcare Ponchielli
Choreography: Victoria Lyras
Love is … the joy of movement in us all
Dance of the Hours was first introduced as a short ballet in the third act of the opera La Giaconda. Later, it was often performed outside the context of the opera and became a well-known ballet in its own right. In the 1940s, the music reached millions when it was danced by animated hippos, alligators, elephants, and ostriches in the Walt Disney film Fantasia. The Dance of the Hours choreographed in 2008 by Victoria Lyras was created to showcase the talents of the Indianapolis School of Ballet’s students and has had more than 370K views on YouTube.
Music: Georges Bizet
Choreography: Victoria Lyras
Love is … fickle and extreme
Based on the novella by Prosper Mérimée, Bizet wrote his most brilliant and famous opera. The story takes place in southern Spain and tells the fate of a soldier, Don José, who is seduced by the fiery gypsy Carmen. As a result of Carmen’s wiles, José naïvely deserts his childhood sweetheart and his military duties but loses Carmen’s love to the matador Escamillo. Consumed by jealously and rage at her rejection, Don José kills Carmen. Inspired by the passionate music, Ms. Lyras has opted to visualize the opera without words through the dramatic and expressive art of classical ballet.
notes courtesy of IB Ballet Master Paul Vitali & IB Founding Artistic Director Victoria Lyras